¿Qué hacer si mi hijo es tímido?

Muchos son los niños que les resulta muy difícil relacionarse con los demás y hacer amigos.

La timidez es un problema muy común en la infancia que se puede presentar en mayor o menor grado en determinadas situaciones.

Ser tímido no es ningún tipo de trastorno, y si una manera de ser. La timidez también proviene de factores genéticos y es un obstáculo a ser vencido junto a la familia.

Etiquetar los niños tímidos es un error, pues eso solo se les acentúa su ¨problema¨.

La super protección de los padres es un factor que agrava mucho los síntomas de la timidez infantil (muchas veces los padres por amar y proteger demasiado a sus hijos les acaban perjudicando, causando dependencia, miedos e inseguridad).

¿Cuándo nos debemos preocupar si nuestros hijos son demasiado tímidos?

  • Miedo a lo nuevo
  • Niños que solo quieren relacionar se con su entorno
  • Nerviosismo excesivo delante de cambios
  • No preguntar en clase

Muchos de estos niños pueden tener problemas escolares, pues no se sienten seguros para preguntar o expresar su opinión en clase.

El papel de la familia es fundamental para la timidez. Los niños que son tímidos necesitan más tiempo y ayuda para su proceso de adaptación frente cada situación. Hay que ayudarles a ganar confianza frente al mundo.


¿Qué hacer para que dure el amor en pareja?

Muchas son las parejas que al recorrer de los años empiezan a encontrar algunas dificultades en la relación .

Os dejo 5 tips sobre como ayudar a recuperar y mantener el amor en las relaciones de pareja.

  1. Tener objetivos en común aparte de cuidar de la familia.
  2. Tener conciencia y saber la importancia de la lenguaje no verbal (tono de voz,mirada,expresiones…)
  3. Tener empatia.¿Qué es empatia?

    Cuando una persona tiene empatia en la relación de pareja sabe muy bien comunicarse con el otro, la empatia se trata de saber ponerse en el lugar de la otra persona para que le podamos entender mejor y ver la vida con otra perspectiva.

  4. No pedir que la otra persona haga renuncias muy importantes en su vida. Cuando uno de los miembros de la pareja hacen una renuncia importante o dejan de lado algo que les gusta mucho por otra persona con el pasar del tiempo eso se transforma en venganza y odio.
  5. Aprender a tolerar las diferencias de una manera saludable.

The Alexander Technique and Tai Chi By Stacy Gehman


Tai Chi Chuan is noted for its graceful beauty and subtle power. Its practice requires an attention that is both inwardly focused and directed outward to all that surrounds us. It is the realization of the Taoist practice of doing through non-doing. As such, learning Tai Chi presents the student with apparent paradox overlying paradox. Its subtlety is a promise and a fascination.
Many of the principles of Tai Chi Chuan are similar to those of the Alexander Technique, discovered by F.M. Alexander over 100 years ago. If the principles of each were the same, there would, of course, be no reason to study both of them. The Alexander work brings students’ attention to their habitual ways of using themselves, and teaches a process by which any activity can be approached with conscious awareness of those habits and the alternatives. Tai Chi presents its practitioners with fascinating challenges in movement and attention, challenges that ask us to fundamentally change our habitual way of being. The Alexander work is a very powerful tool helping us to make those changes.

The Alexander work may even be more Taoist than Tai Chi. It has no form, no exercises to do, not even a set, prescribed process. As my teacher, Marjorie Barstow liked to say, “It’s just a little bit of nothing.” However that “nothing” is a clarity of attention that allows you to make profound changes in the way you interact with the world – in how you do what you do, even in what you perceive.
In the following paragraphs I will present some thoughts on a few basic Tai Chi principles as I have grown to understand them from the perspective of the Alexander Technique. I hope that this presentation will not be construed as a criticism of Tai Chi, or as implying that Tai Chi has shortcomings. What I hope is that if you find this perspective interesting, and follow up by taking Alexander Technique lessons, that it will help you understand what your Tai Chi instructor may have been trying to tell you all along. Tai Chi is a subtle art, and I think we need all the help we can get in learning it.
“Let the chi rise to your head-top”

I have heard this principle expressed in various ways, for example, “move as if suspended from above,” or “imagine a string tied to the top of your head.” I think all of these are ways of expressing a particular experience in movement. They also point to the basic principle of movement discovered by Alexander. In his work he noticed that we all have one habit in common, although manifested in many different ways. In particular he noticed that in beginning a movement, we tend to tighten our necks, which pulls our heads down. This habit of movement is so small and so familiar that almost no one ever notices it, although almost everyone at one time or another complains of a tight neck.

It is interesting that no one ever says “I am tightening my neck,” but instead “my neck is tight.” Who do you suppose is tightening it?
It is possible to begin to notice that habitual tightening, and to prevent it. This is often felt as if your head is being lifted or is floating. What has really happened is that the release of tension in the neck has allowed the head to move more freely. And since muscular tension blocks the flow of chi, releasing tension in the neck allows “the chi to rise to your head top.”

Please note carefully the order of this process. Releasing downward pressure in our necks results in a feeling of free movement. Attempting to achieve the same result by imagining your head to float, or be lifted, is really putting things in reverse order. We can only feel something after it has happened, so attempting to imagine a feeling only tempts us to tighten our necks in a different way to create a different feeling. Careful observation of this relationship between your head and body, and its redirection, is the center point of any Alexander Lesson. Alexander realized that this relationship is the beginning of all habitual movement, and that becoming conscious of it, and changing it by subtle redirection, is the key to becoming more conscious in all our activities. It is the key to releasing tension throughout our bodies – tensions that are associated with our habitual way of moving.

“Pluck up the back and hollow the chest”
This principle of Tai Chi is sometimes expressed as “depress” or “sink” the chest. I think what these suggestions are getting at is the almost universal pattern of tightening the muscles of our backs to “stand up straight,” which in turn causes our chests to lift or project forward. Interestingly Alexander approaches this pattern with the suggestion for “my back to lengthen and widen.” These directions are aimed at undoing the pattern of over-tightened back muscles, which narrow and shorten it. The idea of “hollowing” the chest is more subtle. A friend who has studied ancient Chinese once explained that the character for hollow indicates something like a hollow log. That is, our chest should be hollow from the inside, not depressed downwards from the outside. This then is a direction that directs our attention to an opened chest, one that is free to move to support respiration, and to connect (and separate) our arms and legs.

A practical example

In a sense the Tai Chi principles point to, or describe, a state of being – i.e., how we would like to be. The Alexander work provides directions with which we can move toward that state. In the next few paragraphs I will describe what I have observed as a fairly common problem encountered by Tai Chi students, then the habitual way most students tend to approach improving it, and finally how Alexander work can help unravel the puzzle.
Practicing the Tai Chi form encourages us to take a long stance, with our legs well bent when weight is on one foot. Our legs do a lot of work. And yet we need to remain free to move at the hip joint, so that we can turn freely to address a different direction or move a foot. When our hips are tight, it restricts open movement around that joint. In working to open the hip joint, it is pretty common to see students twisting their torso in the direction they wish to turn. The idea seems to be to “work the joint” and hopefully thereby to loosen it up. What I have observed is that the desire to “work hard” to loosen the hip joint in fact does the opposite – i.e. it tightens the hip. Looking at the picture from the point of view of a mechanical system, the only way I can work harder to push or pull my hip to turn more, is to increase my resistance to turning – i.e. to hold on to my hip even more tightly so that I can feel the pressure of pushing against it. I know this is true because I have observed many people do it, including catching myself at it many more times than I care to admit.

What is the alternative? When practicing a particular movement in the form that requires the hips to open, when reaching what is a comfortable degree of turning, test turning a little farther, and direct your attention to what tightens. Then ask yourself, “What has to let go in the muscles of my legs and buttocks to allow my pelvis to turn relative to my leg?” Or, “Where am I holding on that is making it difficult for me to turn?” Make the “testing” of your limit of movement as delicate as possible, and your questioning of what needs to open as wide as possible. When you realize what it is that needs to release to allow the turning to continue, then the turning movement can occur effortlessly. Notice that in this process you have redirected your attention from what you feel you have to do, to what you can undo instead.

The process I describe in the previous paragraph can be a very useful tool by itself. However if you also consider that the tightness in your hip (in this example) does not exist in isolation, then you have a chance to find out some very interesting things. Tai Chi (and Alexander) principles tell us that “if one part moves, every part moves.” The tightness in your hip is really part of a pattern of use of your whole self, perhaps even having emotional associations. Part of that pattern of use is the relationship of your head to your body. In all this fooling around with hip joints, it is not rare to forget the first principle, to free your neck so that your head can move freely, relieving the downward pressure on your torso, then amazingly to free the movement in your hips. The Alexander work is an ordered redirection of our attention to the whole of ourselves – no matter what the presenting cause of difficulty.


I hope these paragraphs have given you some ideas that you can use on your own to begin to experiment. If you find this discussion interesting, you can find your way to Alexander teachers all over the world by going to the Complete Guide to the Alexander Technique. I am listed under the Alexander Technique International (ATI) link on the page: Alexander Technique: How can I find a Teacher?
If you find this discussion interesting, and have observations or questions, please feel free to email me at StacyG@drizzle.com (I’m in Seattle!).

Cristina Masip

Profesora de la Técnica Alexander y Método Bates.

Tel. 695.82.08.24

E-mail: alexander.cristinamasip@hotmail.com

Alexander Technique And Swimming In Spain

For a week in August 2006 I attended John Hunter’s Alexander Technique summer school for teachers and pupils in the Spanish mountains near Barcelona. It was a very positive experience that proved something to me about the value of learning the Technique.

Learning the Alexander Technique involves a gradual process of change. The process is different for everybody but it takes time to understand your habits, to accept the need to change and to learn to think differently rather than do something in order to be more free. For me certainly it is a slow process. I get glimpses of my potential to be less bound by my habits. Sometimes, when I make a decision to stop before doing something and to think myself up, I notice my breathing open up and freedom of movement takes me by surprise. But half an hour later I may be tearing my hair out because my modem isn’t working or my child won’t get dressed and my will to use the Technique seems to desert me. It is sometimes difficult to know if you are really getting anywhere with the Alexander Technique because the changes that happen are subtle.

So it is good to be in a group of people all in the same boat. The group in Spain was a mutually supportive group. Because everyone was working to the same principles, there was a positive upward energy throughout the week that I hadn’t previously experienced, or at least allowed myself to be part of. It was a privilege to be with Elisabeth Walker, aged 92, who trained with Alexander in the 1930s. All week she showed us poise, cheerfulness and love for humanity. She was also up for swimming every day in a colder than normal pool and was keen to improve her front crawl!

It was the work with the other teachers and pupils of the Alexander Technique in the water that made the biggest impression on me about the value of the work. Most people, including Alexander people, have an instinctive fear of water which makes letting go into its support and managing the process of breathing challenging. To build trust in the water and to learn counterintuitive movements that make you swim more efficiently can take a lot of time and mental effort. The Alexander Technique is a useful teaching tool because it can help you encourage people to focus on preventing unnecessary tension. With your hands you can also guide people into a new experience.

Steven Shaw once told me that the Shaw Method is “the Alexander Technique in the water from beginning to end.” And I try to follow his lead. But, again, it is difficult to know as a swimming teacher whether the pupil really is learning the Alexander Technique in the water.Most of my pupils come to me because they
want to learn to swim. Not many are interested in embracing the process of change that is the Alexander Technique. I still feel that what I am doing has value because, if I can point out to someone that, for example, a free neck will help them move forward better than a stiff one, they are learning something about the Technique
But at John Hunter’s summer school I worked for a few hours every day with people who were already engaged in the process of learning the Alexander Technique. And what I saw clearly was that the more experienced Alexander Technique practitioners were a remarkably different category of learner. Pupils rather than teachers were also streets ahead of the average learner.
John Hunter himself was first to come to the water for a lesson. He was practically a non- swimmer and acknowledged he was nervous of the water. He was soon breathing into the water and gliding independently but not without some difficulty getting the hang of the breathing. He quietly stuck at it. Within a few hours, he was swimming breaststroke, comfortably getting his head out of the water to inhale. For nervous swimmers this is one of the most challenging skills and usually takes considerable time and support. The speed with which he got it was something I would not have thought possible.
Elisabeth Walker, at 92, at first, looked like an old woman in the water. Her breast stroke breathing seemed a little rushed and I wondered if some of her movements were restricted by aging joints. In fact, she just needed to be shown the movements and she was soon swimming the breaststroke like a 20 year old. She was remarkably open to change and responsive to new ideas, delighted to know where she was going wrong. To have such a responsive pupil at any age would be a joy but to teach her was an experience I will never forget.

All the other AT teachers and pupils I worked with were notably quick to get new movements. I was constantly seeing people learn new movements, which gave them a different relationship with the water, in minutes where it normally takes hours.“It just goes to show that what we’re doing has value,” said John Hunter.For the first time in eleven years of the work, I am starting to really believe this so thank you, John Hunter. I even learned a bit of Tango one evening. I wouldn’t have thought that possible a few years ago.

Ian Cross, September 2006.

Photos show Elisabeth Walker teaching pupils to write and Ian working with Elisabeth in the water.

Photos courtesy of Mireia Mora Griso


Cristina Masip

Profesora de la Técnica Alexander y Método Bates.

Tel. 695.82.08.24

E-mail: alexander.cristinamasip@hotmail.com

¿Qué hacer si mi hijo miente?

Es importante saber que hasta los 5 años los niños viven en un mundo donde no saben distinguir lo que es la realidad y lo que es fantasía, por esta razón es muy natural que digan algunas mentiras hasta esta edad.

A partir de los 5 años empiezan a encontrar un significado a la mentira y también diferenciar entre la verdad y la mentira.

Existen dos tipos de mentiras las intencionadas y las naturales, que provienen muchas veces de la fantasía de los niños.

Las mentiras intencionadas en la mayoría de las veces son conscientes y saben que están mintiendo, una de las causas puede ser por ejemplo por imitación (porque algunas veces no somos 100% sinceros con nuestros hijos, o les contamos pequeñas mentiras cotidianas, como si alguien nos llama y no quieres hablar le pedís de decir que no estas y etc…)

Los niños también mienten por miedo y inseguridad o simplemente porque sienten un temor irracional delante de algunos acontecimientos.

Para que un niño deje de mentir los padres deben dar el ejemplo con su comportamiento, deben también reforzar la autoconfianza del niño para que la mentira sea por ¨aprobación¨.

Cuando un niño diga una diga una mentira nunca debemos de reír y tampoco se debe proceder con un duro castigo.


Para más información sobre psicología infantil y familiar llamar 636.90.75.49

Contactar vía e-mail: montaltopsicologia@gmail.com

Autora: Juliana Montalto